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Reporting

The Production Of Value–What Happens When Banksy Roils The Art World’s Waters Yet Again

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My Blog for Ministers Of Design

Last Sunday, a booth appeared in Central Park selling “signed, 100% original” Banksy pieces at $60 each. Banksy is currently “on residency in New York”; his work is popping up in his trademark spectacularly subversive fashion–a creepy stuffed animal “slaughterhouse delivery truck” in the Meat Packing District, for one.

Art collectors loudly bemoaned the fact that they missed the chance to acquire the much-coveted pieces that routinely fetch six figures at a ridiculously discounted price. And Banksy, as he is wont to do, got to make fun of the idea of what constitutes art and the pretentiousness of the “art market,” where value is conferred by exclusivity. Would we recognize art if it is not labeled as such? And what happens when graffiti, an art form that in its very execution flies in the face of concepts such as ownership and private space, gets a price tag and starts participating in the very machine it seeks to obviate?
Banksy might as well be one of the world’s most reluctant “successful gallery artists.” The Sunday Central Park stunt was a spectacle, a performance art piece like the many he has done before, and it flew in the face of the notion that exclusivity confers value. Sure, Banksy is now, willingly or inadvertently, in the business of selling rebellion. But that doesn’t mean that taking the “art world’s” money has caused him to sell out. Sunday’s stunt was Banksy’s thumbing his nose at the fact that we need art critics to tell us what art is and how much it is worth. Banksy has often made fun of the elitism, pretentiousness, and outright absurdity of the curating art and placing it in a museum. The art market, like any other capitalist cultural reproduction tool, works to equate ownership of art with culture and the mark of the “cultured,” as James Clifford explored in his seminal article On Collecting Art and Culture.
 According to the video from last Sunday, more than four hours passed before the first sale was made, to a customer who bargained to get two paintings for $60. Later, a woman from New Zealand bought two. Finally, a man from Chicago stopped and said, “I just need something for the walls” of his new place. He bought four. 8 paintings sold in total.
In other words, if it is not labeled as such, would we know a Banksy? Does knowing that it is a Banksy somehow raise the value of the art just because it is now branded and hence ownable and usable as an identifiable and identity-conferring status symbol? Does art’s subjectivity not mesh particularly well with its object-ivity? You tell us.

Reporting

Public To Politicians: End The War On Drugs

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Over the past 40 years, the War on Drugs has cost more than $1 trillion and accounted for more than 45 million arrests.

According to the FBI 2012 Crime Report, of all drug arrests, an overwhelming 82.2 percent were for possession and not distribution. For marijuana alone, 88 percent of arrests were for possession. And as spokesmen of Law Enforcement Against Prohibition point out, more people were arrested for marijuana offenses alone last year than for all violent crimes combined. Increasingly in recent times, the futility and utter failure of the “war on drugs” has become all too apparent to the general public, but the shift might be sweeping through the policy-making community as well, where for far too long being anti-prohibition was nearly tantamount to political suicide and equated with being “soft on crime.”
On October 9th, at the National Press Club, Richard Branson of the Global Commission on Drug Policy and Senator Sheldon Whitehouse of Rhode Island hosted a screening of Sundog Pictures’ Breaking The Taboo, followed by a discussion that also included A.T. Wall, Director of the Rhode Island Department of Corrections, Ethan Nadelmann, Executive Director of Drug Policy Alliance, and Naya Arbiter, of the Amity Foundation. “Breaking The Taboo”, akin to the documentary The House I Live In, also puts forth that the “war on drugs” has essentially been a very expensive (in human and economic costs) failure with a lot of unpredictable consequences worldwide. Where The House I Live In focused on the United States and examined what role industrialization, classism, and racism play in the entire picture, Breaking The Taboo takes a more global look at how the illicit drug trade has had a lot of collateral damage, with rampant corruption amongst law-enforcers and politicians, especially in producer and transit countries, endangering democracy and civil society (for example, Afghanistan is now dangerously close to being a narco-state), stunting development, and threatening human rights. Both films argue that a move away from prohibition to control is desperately needed. Criminalizing users instead of helping them has been deleterious to communities.
Ethan Nadelmann of the Drug Policy Alliance spoke about what he perceives to be a shifting tide not only in public opinion but also in political will. “At DPA, we seek to 1. reduce the harm of drugs on communities and 2. reduce the harm of government policies (corruption, etc.). In a nutshell, we seek to reduce the role of criminalization as much as possible while still protecting public safety.” He is convinced that we are definitely at a “major tipping point” when it comes to legally regulating marijuana, for one. Not just past Presidents are now speaking out against the drug war (Bill Clinton, for example), but also current ones—like the Presidents of Uruguay and Guatemala. Nadelman continued: “We have spent 40 years and trillions of dollars and the new focus is coming up with pragmatic alternatives. Rand Paul recently called the drug war the new Jim Crow, so this sort of injustice is becoming a real rallying call.”
And while we are not at a tipping point, we are definitely at a turning point of public opinion on mass incarceration. “We have the largest prison population of any nation in the world, with 2.3 million people in jail. The public is finally understanding what this really means. My only big fear is we are so accustomed to such massive rates of incarceration that we would be happy even with a 10% decrease.”
When asked to comment on the state of affairs from the correctional point of view, A.T. Wall was optimistic in his assessment: “In my state, prosecuting people for simple possession is now almost relatively unheard of; the focus has shifted to other types of crime. And it has definitely been bipartisan. We have people coming forward from both sides of the political spectrum saying the same things.” He also commented on the fact that “we have to work very hard to keep drugs out of prison,” which is why the focus on the demand side makes it imperative that prisons provide treatment and support and not just punishment.
Which brings us to another huge piece of this quagmire—in a sense, the arrest record that follows is the most dangerous thing about drug use and not the drug use itself, many would argue. The record prevents people from reintegrating into society (for example, affecting a multitude of economic aspects of a person’s life, such as voting, securing housing loans, and jobs), and thus hugely increases recidivism rates. Naya Arbiter, who works on the frontlines of support for former drug users, commented, “instead of criminalizing people and dismissing them as ‘bad apples,’ we should really see how we are building bad barrels all the time. We need to address issues of inequality, racism, lack of opportunity, and the social conditions that lead to drug use simultaneously with addressing the issues of the war on drugs.” Ms. Arbiter is convinced that foster care is almost exclusively driven by the war on drugs. For every 200 incarcerated men, there are 700 children that are affected as a result. “We need to focus on a drug policy that has collateral benefits for a lot of people and not just the white middle class. We need to make the transition from corrections to human services.” Richard Branson brought up the example of Portugal, which has stopped prosecuting drug users, as having registered major drops in heroin use as well as Hepatitis C and HIV infection rates.
The ultimate question is when will the actual policies and laws on the books change to reflect the growing discontent with the war on drugs? Undoubtedly, this question has been gaining some political attention as well—at the most recent Summit Of The Americas, it was firmly on the agenda. The “war on drugs” no longer carries the political cache it did during the “Just Say No” days. Senator Sheldon Whitehouse commented, “Currently, there is an incarceration reduction bill that is making its way through the Judiciary Committee, which will deal with pre-sentencing, sentencing, and treatment in prison. We are also working on a recovery bill that will provide support and recovery assistance.” While the tide is undoubtedly shifting in public attitude toward drug use, the crux of the issue remains decriminalization versus legalization. While legalization seems to require the kind of open-mindedness that seems not present at the moment, a consensus now holds that criminalizing simple drug possession and feeding the prison-industrial complex is untenable. As “Breaking the Taboo” points out, “you can’t wage a war on drugs without waging a war on people.”
Reporting

Inequality For All: Robert Reich’s Powerful Message: Not “Trickle Down,” But “Middle Up”

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My Article For Voice Of Russia

The documentary Inequality For All, directed by Jacob Kornbluth, features Robert Reich, former Secretary Of Labor under Bill Clinton, author of Aftershock: The Next Economy and America’s Future, in an impassioned exposé on why the chasm between the rich and the poor has much further reaching implications than a mere income gap.

In and of itself, Reich points out, inequality can be viewed as an inherent part of an incentive-driven capitalist system, but Inequality For All asks when inequality becomes a problem. This question takes on particular urgency when we consider that of all the developed nations, the United States has the greatest degree of wealth disparity. Much like The Corporation, Inequality For All is broad in its scope, and clearly shows the interconnectedness of a number of seemingly disparate phenomena. Filmed in the style of other policy lecture documentaries, Inequality For All uses Reich’s Wealth And Poverty class at UC Berkeley as the platform for some rather hair-raising revelations (a lot of them new even to those very familiar with the Occupy movement’s platform), yet the tone of the film remains optimistic about disrupting this status quo.
Just how consolidated is wealth at the top, you might ask? Put simply, 400 people in the top income bracket earn the same amount as 150 million in the lower tiers. Reich homes in on a recent study by Pikkety and Saez that analyzed tax data dating back to 1913, when the income tax was first instituted. The study finds that 1928 and 2007 were the peak years of income concentration at the top, creating a graph that resembles a suspension bridge. Both years were followed by calamitous market crashes — a parallel that Reich thinks is not random at all. As income got more concentrated at the top, the rich turned to the financial sector for investment, creating a speculative bubble. And as middle class income was stagnating, that in turn created a debt bubble, conditions that inevitably precipitated economic crises.
The crux of Reich’s argument is that what makes an economy stable is a strong middle class. And while his assertion that consumer spending makes up 70% of economic activity is contestable, there can be no denying that the middle class plays an integral role in the economy. The rich alone are not spending enough to generate the requisite level of economic activity. Inequality For All features venture capitalist/1%-er Nick Hanauer who debunks the myth of the rich as “job creators” in favor of a feedback loop theory that Reich also espouses (he calls it the virtuous cycle). If there is one sound bite to emerge from the film, it is that Reich supports “middle up” rather than “trickle down” economics. If the middle class is not doing well enough to create healthy consumer spending levels, then the economy as a whole will suffer—in other words, as the film rightly notes, one doesn’t have to be a bleeding heart liberal to understand that this is not merely a social justice issue. Reich argues that even from a cynical and self-serving perspective, the top 1% should have an interest in how well the middle class is doing as they drive spending in a rather significant way.
Was there an idyllic time that was different from the current abysmal state of affairs? Reich points to the years between 1947 and 1977 as the golden age of great prosperity and very low inequality. What were we doing right then? Public higher education spending was much more of a priority and the proportion of people who were able to receive a college degree without being saddled with mountains of debt was much higher than today. With decimated federal funding for higher education nowadays, little is trickling down to the states, he argues, causing unparalleled spikes in tuition costs. Unions were also very strong, ensuring that worker wages remained robust. With the decline of unions, Reich argues, wages and rights have suffered a crushing blow. Not only have wages remained stagnant, but upward mobility is also equally imperiled. 42% of children born in poverty will never leave poverty behind. No other developed nation, Reich argues, even the UK with its vestiges of a monarchic system, has less social mobility than that.
Inequality For All covers a number of other plucked-from-the-headlines issues thoroughly as well, such as the shockingly low tax rate most of the rich actually pay, and how the tax code has increasingly evolved to the benefit of the haves. It also talks about the impact globalization has had on worker wages and the fact that which countries’ workers add the most value determines what country reaps the benefits. A prime example is that even though iPods are assembled in China, it only earns 3.6% of the value of an iPod, with Germany and Japan taking much more significant portions because the parts come from there.
The ultimate upshot of inequality is that its deleterious effects ripple outward, profoundly disrupting a healthy economic cycle. Reich calls equal opportunity the “the moral foundation stone on which this country and our democracy are built,” and that is not mere exaggeration or partisan-minded alarmism. When money starts to infect politics, as it has done now with lobbyists and PACs, it undermines democracy and paves the way to plutocracy. Inequality For All offers plenty to get outraged over, but Reich remains measured in his rhetoric. Instead of portraying inequality as an “us versus them” zero-sum game, he explains that is in our interest and in our power in to disrupt the status quo by demanding change.
Reporting

What’s In A Number: Can We Meet UN Poverty Reduction Goals?

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The numbers in the recently released UN Millenium Development Goals Report are a case in point. Among its key findings, the report tells us that “the proportion of people living in extreme poverty has been halved at the global level. In developing regions, the proportion of people living on less than $1.25 a day fell from 47 per cent in 1990 to 22 per cent in 2010. About 700 million fewer people lived in conditions of extreme poverty in 2010 than in 1990.” A UN High-Level Panel report touts the progress made in the last 13 years as “the fastest reduction in poverty in human history.” In essence, the prevailing consensus is that Millenium Development Goal 1, the reduction of extreme poverty and hunger by half, is already accomplished. But are the numbers really so clear?
The actual numbers on poverty look significantly grimmer–1.29 billion people in 2008 lived below $1.25 a day; 2.47 billion people in 2008 consumed less than $2 a day. At the current rate of progress, there will still be around 1 billion people living below $1.25 per day in 2015. Most of the 649 million fewer poor by the $1.25 per day standard over 1981-2008 are still poor by the standards of middle-income developing countries.
It turns out that the seemingly simple question of how we measure the number of poor people in the world is surprisingly difficult and extremely important to answer. It affects how we report success, especially considering that the post-2015 talks now dare to speak openly about the goal of complete poverty eradication. In April, at a press conference during the Spring meeting of the international financial institutions in Washington, DC, the president of the World Bank, Jim Yong Kim, pointed to 2030 as the global target year to end poverty. President Obama expressed similar sentiments in February, when he promised that “the United States will join with our allies to eradicate such extreme poverty in the next two decades.”
So, how much has actually been accomplished? Thomas Pogge, the Director of the Global Justice Program and the Leitner Professor of Philosophy and International Affairs at Yale University, makes an important insight—the way that extreme poverty and hunger are measured has shifted over time, and significantly. In other words, some of the madness definitely lies in the method—measurement shifts have taken place, perhaps under the radar of public knowledge and only noticeable by economics geeks. This is inherently confusing. When we claim success, we should know what we have actually accomplished.
In September 2000, the heads of 147 governments pledged that they would halve the proportion of people on Earth living in the direst poverty by 2015, using the poverty rate in 1990 as a baseline. Here Pogge points out something largely glossed over: as with the hunger target, the so-called success over recent years owes much to the back-dating of the base year from 2000 (UNGA Millennium Declaration) to 1990. More specifically, the goal set at the World Food Summit in Rome in 1996 was to halve the number of chronically under-nourished people between 1996 and 2015. That criterion quickly changed at the 2000 meeting to “halve, by the year 2015, the proportion of the world’s people whose income is less than one dollar a day and the proportion of people who suffer from hunger.” Changing the language to refer to a proportion instead of an outright number and backdating the goals to 1990 changed the picture and made the goals easier to reach. Another modification changed the definition to refer only to people in the developing world. Dr. Pogge explains, “…there are two different shifts: (a) shifts in what is to be halved by 2015 (number of poor, proportion of poor in world population, proportion of poor in population of the developing world) and from what baseline (1996, 2000, 1990). (b) Shifts in how persons get identified as poor (average household income below $1/day in 1985 US-dollars, below $1.08/day in 1993 US-dollars, $1.25/day in 2005 US-dollars). These methodological revisions entailed substantial shifts in the number of poor, in their geographical distribution, and, most importantly, in the global poverty trend.” The back-dating of the year allowed for the international institutions to count the significant progress China had made in poverty reduction.

Another major methodological issue is how poverty is measured, using an international poverty line (IPL), and the resulting overreliance on what Dr. Pogge calls a “money-centric” measure set by the World Bank. “In contrast to a human requirements-centered approach, the Bank has set a relatively arbitrary international poverty line (IPL) defined in abstract money units and translated into local currency amounts that it deems to be ‘equivalent.’” The poverty measurement’s excessive sensitivity to the IPL level has a significant impact in how we measure progress, as it provides a very narrow definition of poverty. At $1.25/day, according to PovcalNet, we are 22.4% ahead of meeting the goal. But with $1.50/day, we are only 8.5% ahead, and with $1.815/day we are 5.7% behind. The choice of base year that the progress is measured from is an equally important consideration. Another distortion comes from the use of general consumption PPPs. The general-PPP (purchasing power parity) equivalent to $1.25 (2005) in a typical poor country buys only as much food there as $0.83 bought in the US in 2005. So, the World Bank’s poverty line is too low to cover basic needs. The Bank’s very low line overlooks a lot of very poor people. It counts as poor in 2010 only 1,214.98 million people. The rather narrow IPL measure also disregards intra-household income distribution by looking at the household as a whole, nor does it account for other dimensions of poverty such as the leisure time/labor time ratio, public goods, and climate.
So how can we get around this statistical quagmire and properly measure a very human problem — living in dire poverty. Dr. Pogge suggests that it is crucial that we “define precisely in advance the goals and targets the world is committing itself to as well as the methods by which progress toward these targets is to be measured or assessed,” to prevent midstream revisions and back-dating of targets. He also advocates that the monitoring of progress be left to groups of independent experts, not to international agencies, which are politically exposed. Ultimately, the new agenda should be a lot more participatory, inclusive, and responsive to those directly affected by poverty and social injustice.
Reviews

Film Review: Salinger

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My Review of Salinger

Salinger, the ten-years-in-the-making documentary by Shane Salerno, is a surprisingly moving and thorough look at the life of one of American’s most beloved iconic writers. It is a must-see film for anyone who appreciates the child birthing-like nature of writing and its nearly supernatural ability to give voice to our shared humanity.  Surprisingly because there was a veneer of sensationalism/celebrity-chasing in the marketing of the film as a “never before seen” and uncomfortably probing  wide-angle-lens-ish expose on a man who purposely shunned the spotlight. The Catcher In The Rye captured the hearts and minds of generations; the very relatable angst of Holden Caulfield and his condemnation of all things fake made this seminal work timeless and dearly loved and not just one of those other classics you were forced to read in English class but never really enjoyed. Salerno’s documentary certainly covers a lot of ground—as for the attention-grabbing ploys, we can chalk those up to misguided publicity efforts because the strength of the film is certainly not in unearthing unseen footage but in painting a holistic portrait of the enigmatic Salinger.

Salinger makes a lot of how World War 2 shaped J.D. Salinger, calling it the “ghost in the machine of all his stories” and rightfully so—this is the meat of the film, providing an unparalleled glimpse into something that affected the author’s work profoundly.  Salinger was very patriotic and determined to serve in the war and voluntarily enlisted, not even imagining the horrors that lay ahead. Being a part of D Day (while carrying six chapters of Catcher In The Rye in his pocket) and the ensuing 200 days of battle, he fought in the fields of France aptly called “the meat grinder,” where routinely 200 men would die in the span of a couple of hours. Witnessing the sheer desecration of humanity in camps abandoned by the Nazis left lasting scars on Salinger’s mind and he suffered a nervous breakdown in Normandy. His treatment and the themes of “craziness” and damage to innocence would make an indelible mark on his writing, finding its way into almost all of his stories. Salinger’s coverage of the author’s war years also shines a light on his complexity as a character—despite his later reputation as a recluse, he was affable, close to his fellow soldiers, and very in tune with the perspective of both the victims and the perpetrators, especially when he started working as a war investigator in the aftermath. He also met Hemingway there who was very encouraging of the young author.
The only significant way in which Salinger sputters is when the film starts to psychoanalyze Salinger, ascribing motivations without much ground for the conjecturing and the giving of voice to opposing views makes for a  rather meandering “was he or was he not” narrative. For example, a lot of time is spent on Salinger being the “Howard Hughes of his day” yet aside from choosing to live in the woods, one would be hard pressed to see what other “idiosyncracies” he displayed. As for the recluse moniker–by all appearances, he was far from it. His retreat to Cornish, New Hampshire was a rather pragmatically-driven quest for find peace and silence to continue to work. He certainly seemed to be social enough in the town itself. He protective of just how much the public extracted from him, granting interviews on his own terms and with the reporters he trusted and staying actively plugged in. Salinger also suggests that Salinger IS Holden Caulfield and that all of his writing is essentially autobiographical, which does not seem to be of tremendous relevance nor anything specifically endemic to Salinger as an author. As Salinger once aptly put it, “I am a fiction writer, not a counselor.”
Salinger also delves rather deeply into Salinger’s relationships with women (specifically younger women). To its credit, the movie does not attempt to sensationalize those relationships under a queasiness-inducing rubric, but it does suggest, perhaps groundlessly, that he was platonically attracted to the innocence he saw in them and once he perceived them as “women,” he grew disinterested.  It also uncovers the author’s deep devotion to the Vedanta Hindu religious tradition and his daily meditation. There are some rather ham-handed plot-propelling devices too, like the constant flashing of one and the same picture or of the image of an actor sitting behind a typewriter in a giant movie theatre. The part of the film that delves into all of the killers who claimed that The Catcher In The Rye made them do it (John Hinckley, Mark David Chapman) also seemed entirely out of place with the rest of the narrative and thrown in for pure shock value.
Salinger offers an enthralling look into the creative process of the author. Salinger was really committed to writing a “good book and not just a best seller,” when he set out to write Catcher In The Rye. He was fanatically perfectionistic in his approach and fiercely protective of his work, to the point of being maniacal even about the punctuation. He toiled assiduously, doggedly writing all day, every day, to the detriment of anyone and anything around him. Ultimately, like his fellow creative geniuses, he espoused passion—“there has to be fire between the words.”
Salinger is a paean to lovely mystery that writing really is and a tribute to a man who wanted to be known for his work rather than for himself. The big revelation of Salinger’s end is that a lot of the late author’s works will be released starting 2015, including the completion of the Holden Caulfield and the Glass families stories as well as books on the Vedanta religious tradition.
Reporting

The High Cost Of Unpaid Internships

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Unpaid internships have become increasingly common in the current career landscape, becoming almost a requisite milestone in “growing up.”

Couched as an “investment in yourself,” and a place to “make contacts and get a job someday,” they are all too readily accepted as the only available path to full-time employment. Yet, the internships of today are a far cry from the apprenticeships of yore—by some estimates as many as 50% of internships are unpaid. Are they the quid-pro-quo arrangement they are posited as, or simply a front for employers to secure free labor that would otherwise have to be performed by an employee? With internships rife in all branches of the government, they stir up thorny questions about access, equality, and opportunity. A movement against unpaid and exploitative internships has been gaining steam since the economic crisis of 2008 made employment prospects especially bleak, and a number of important legal precedents are now in place. Ultimately, the question is not just whether internships give that extra experiential learning boost for interns’ resumes. The more important question is whether unpaid internships have become yet another playground of “the haves” that perpetuates the status quo of limited social mobility and income inequality.
The unemployment rate of the 16-24 age group today is more than double that of the remaining population, at nearly 20%. The average starting salary today is lower that it was in 2000. Internships have become so coveted in this stagnant climate that they have become a veritable industry—arguably one that lines the pockets of everyone involved but the interns themselves. Colleges charge students thousands in tuition money for the “opportunity” to earn academic credit for internships; a myriad of programs have sprung up promising students insider access to internships (The Washington Center and Washington Semester Program, to name a few). Yes, it is so competitive out there that securing an unpaid internship can be just as difficult, if not more, as securing regular employment.
Ross Perlin’s seminal work Intern Nation: How To Earn Nothing And Learn Very Little In A Brave New Economyoffered one of the most thorough exposes on the issue, shattering the image of the typical intern as a college student and showing the sheer breadth of the intern demographic. A Georgetown law student, 41-year-old Eric Glatt, was one of those “non-traditional” interns, who in seeking to transition to a career in the film industry, worked as an unpaid intern on the set of the movie “Black Swan” in 2010, essentially performing the functions of an accounting clerk . In September 2011, after being referred by Ross Perlin to a lawyer, Glatt sued Fox Searchlight Pictures, asking for compensation for his work. “Obviously, this was not a suit about back pay only. It was a suit to put this culture under the legal microscope and see if it withstood the test in court.” Some of the legal underpinnings of the suits have been the Fair Labor Standards Act of 1938 and the Labor Department’s Fact Sheet 71. In a New York Times article, published on April 10, 2010, Nancy J. Leppink, the acting director of the U.S. Department of Labor’s wage and hour division, said, “If you’re a for-profit employer or you want to pursue an internship with a for-profit employer, there aren’t going to be many circumstances where you can have an internship and not be paid and still be in compliance with the law.” In essence, Fact Sheet 71 established the six federal legal criteria of what constitutes an internship. Glatt’s case proved that the standard very much holds—the judge ruled in favor of Glatt and his fellow interns, deeming their “intern” work to be labor requiring compensation and allowing the suit to continue as a class action one.
Glatt continues his activist work outside of court as well. He explains that a group he is a part of, Intern Labor Rights, initially began as a grass-roots offshoot from the Occupy movement, and has since grown to be a part of an international coalition with branches in six other countries, including the UK, France, Austria, Switzerland, Netherlands, and Canada. Describing the two main issues the group works on, he states “most organizations did not seem overly concerned with how the practice of unpaid interns fit within the law/legal code, nor did they worry about the ethics and economics of the practice.” In essence, a lot of the work of Intern Labor Rights has been educational in nature—getting the public to see the flaws in a system that embodies and promotes inequalities of opportunity.
The economic impact is significant in some fields where unpaid internships seriously undermine the health of the labor market, especially in what Glatt calls the “cultural production industries,” such as film, music, and journalism. He attributes that to the notion that “thinking labor” is somehow perceived not as “labor” because it is mental and not physical. The implications of unpaid internships being the only “in” in cultural production industries are worrisome—a narrowing in the voices of our future journalists, and thus, the viewpoints we hear. In a study conducted in the UK, Alan Milburn found that 54% of top journalists were privately educated and “the media had become one of the most socially exclusive of professions.”
Unpaid internships are rife in many branches of government and international governing organizations, including the EU, the UN, and others. These positions are coveted because of the prestige and access they might grant. As a commentary on just how stacked the deck is in favor of the employers, the Department Of Justice now has unpaid intern positions for “special assistant US attorneys.” One can easily see why the kind of cache of exclusivity these internships permit and the hypercompetitive arena for landing one of them only serves to perpetuate entrenched social divides. While one could argue that non-profits really do need the help of interns to operate, the same cannot be said for the government or for the private sector.
So, how true are the assumptions of inequality? In a study conducted by Intern Bridge, women are much more likely to be engaged in unpaid internships than men, who prefer to participate in paid internships with for-profit companies. The “liberal arts industries” are much more likely to offer unpaid internships. And “high income students through their preferences, social networks, and status, enjoy more opportunities at the largest companies, are more likely to be paid, and have access to a limited number of opportunities in organizations their peers compete fiercely to enter.” Almost ¾ of interns report holding a second part-time job to support themselves while on internships.
While the challenges faced by unpaid interns are formidable, the movement to correct employers’ abuses is picking up tremendous momentum, both through legal filings and grassroots activism. The arts and labor working group of Occupy Wall Street demanded that the New York Foundation for the Arts stop advertising unpaid internships. Designer Alexander McQueen ignited a controversy for advertising a full-time, unpaid internship. And groups like The Fair Pay Campaign, Make Youth A Priority, and The Campaign for America’s Future are at the frontlines of this long overdue battle.
Reporting

The Buzz Over The Dire Decline In Bee Populations

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The Buzz Over The Dire Decline In Bee Populations
Worldwide, bee populations are suffering significant decline and rather than a single cause, it seems to be the result of multiple factors working in concert. The U.S. Department of Agriculture issued a report in 2012 citing a “complex set of stressors and pathogens,” and calling for “multi-factorial approaches to studying causes of colony losses,” yet stopped short of making any policy recommendations. The EPA has, sadly, been woefully lackadaiscal in taking steps to stem the problem. Perhaps that will change with the recent momentous suit filed by beekeepers and environmental groups against it for failing to protect bee populations.

Nearly 40 percent of U.S. domesticated hives did not survive this past winter, making it the worst loss to date. Far more than just giving us honey, bees are a crucial player in our food production; they are responsible for pollinating many flowering plants–by some estimates, almost one out of every three bitesof food that we eat was produced with the help of these natural pollinators. Cashews, beets, broccoli, cabbage, watermelons, cucumber, strawberries, macadamia, mangoes, apricots, almonds are just a few of many of the delicious crops our six-legged worker friends toil on.

Domesticated bees are not the only ones being affected either—wild bee populations have decreased by an alarming 90% over the last 50 years. The ecological implications are nearly catastrophic; so are the resultant economic and food supply concerns. The World Conservation Union predicts that 20,000 flowering plant species will disappearin the next few decades as a result of bee losses.

 

Bee die-off is in part attributed to the appropriately-ominously-named phenomenon of Colony Collapse Disorder (CCD) in which bees fly off en masse and never return to their hive. Climate change, habitat destruction, pesticides, and disease all seem to have an influence on the occurrence of CCD and are factors that often interplay with each other–the worldwide bee population decline speaks to the multiplicity of causes not endemic to specific regions.

 

Climate change and habitat destruction are affecting ecosystems as a whole and bees in particular. Erratic weather patterns have an indelible effect on the schedule of flowering plants. Plants may blossom early, before honeybees can fly, or may not produce flowers at all, resulting in no pollen for the bees.

 

The impact of pesticides on bee depopulation has been widely examined by researchers. Jeff Pettis of USDA’s Agricultural Research Service and his team found that a pesticide called imidacloprid is weakening the bees’ immune systems and allowing infectionsto spread through hives. Another group of pesticides, extremely commonly-used worldwide, the neonicotinoids, chemically-related to nicotine, could harm bees by disrupting the navigational and learning abilities they use to find flowers and make their way back to the hive. The neonicotinoids have often been likened to “nerve agents” for the neuroactive effects they have on bees. In a landmark move, the European Union passed a measure last month to provisionally banthe use of neonicotinoids for the next 2 years. By contrast, the EPA continues to greenlight chemicals widely recognized even by the EPA itself as “highly toxic to bee health,” allowing the use of the pesticide sulfoxaflor manufactured by the Dow Chemical Company.

 

In addition to their neuroactive effects, pesticides also tie into another element in the explanatory chain–disease–by decreasing pathogen resistance. The blood-sucking parasite, the Varroa mite, is one of the most virulent pests of bee colonies. It is dangerous not only in its own right, but also in that exposes hives to other viruses too. Another suspect is the Bt (Bacillus thuringiensis) toxin in the pollen of genetically modified corn, which German scientists found compromised bee immune systems. The bacterial disease European foulbrood is yet another pathogen.

 

Communities worldwide are astir about the danger of bee extinction and the buzz is certainly gaining in volume, with many states, including Oregon,passing measures to ban the use of certain pesticides. Clearly, the battle against CCD will have to be waged on a multiplicity of fronts.
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Dunbar’s Number–Why Your 1000+ Friend-Having Friends on Facebook Are Really *Not* Paying You Any Mind

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My post for the Ministers Of Design Blog

Revolutionary evolutionary psychologist Robin Dunbar has the answer to the question of how many friends do you need. The Director of the Institute of Cognitive and Evolutionary Anthropology at Oxford University earned the coveted honor of having a number named after him when he posited that 150 is the number of people we can maintain a meaningful social connection with.
Robin Dunbar arrived at that number by conducting a study of the Christmas-card-sending habits of the British. Amongst some of the findings of the study were that about a quarter of cards went to relatives, nearly two-thirds to friends, and 8 percent to colleagues. The chief finding, however, was the number of cards sent out always seemed to converge around the number 150. Over the past two decades, he and other researchers have arrived at 150 as the magical Pi-like number of social relationships. “The figure of 150 seems to represent the maximum number of individuals with whom we can have a genuinely social relationship, the kind of relationship that goes with knowing who they are and how they relate to us,” Dunbar explains. “Putting it another way, it’s the number of people you would not feel embarrassed about joining uninvited for a drink if you happened to bump into them in a bar.”
Dunbar’s work has been of tremendous interest to social media architects who initially conjectured that this number could very easily climb in the baseball-card-version-of-friends world of Facebook and its ilk. Facebook conducted research on this: while the median friend count on Facebook is 100, for most people (84%), the median friend count of their friends is higher than their own friend count. “Facebook has muddied the waters by calling them all friends, but really they are not,” Dunbar states. He regards Facebook’s main impact on social circles as an ability to preserve long-standing or long-distance friendships that might otherwise decay rapidly. The downside, he suggests, is hanging onto old and remote friendships prevents us from making new non-remote ones: “Since friends exist to be shoulders to cry on (metaphorically speaking!) and shoulders that are physically remote aren’t much use for crying on, this might not be ideal.”
The scope of Dunbar’s work is significantly larger than the rather reductionistic concept of 150 and he has continued to conduct research and expand his study of human social interaction. And while Dunbar’s number has been critiqued, it has managed to withstand the test of replication, remaining relevant event  two decades later ( for example, research conducted in 2011 on Twitter found the average number of people a user regularly interacts with falls between 100 and 200). Dunbar agrees that people have different social networks for different purposes, but he qualified the term “friend” as a person we have an emotional connection with, independent of his/her utility to us: “Someone like your boss, or the person you borrow $50 from to pay the drug dealer, these people are meaningful in your life, but they’re not meaningful to you as relationships.”
The ultimate question remains not how many friends one can have on Facebook but how many friends one actually pays mind and heed to. As Dunbar explains, “Yes, I can find out what you had for breakfast from your Tweet, but can I really get to know you better? These digital developments help us keep in touch, when in the past a relationship might just have died; but in the end, we actually have to get together to make a relationship work.” Dunbar was first inspired to conduct this sort of research when he examined the grooming patterns of apes–what differentiated the humans was not just brain size but, much more importantly, the capacity for language. This capacity, funnily enough, is what is hyper developed in the world of social networking, yet Dunbar would argue words are hardly the glue of a strong emotional bond. Real meaningful interaction, research shows, still remains face-based and not word or baseball-card-collection-based.

Reviews

Pandora’s Promise–A Movie Review

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Pandora’s Promise Review

Pandora’s Promise is an exposé on the past and future of nuclear energy that readjusts a lot of public assumptions in a rather explosive way. By featuring a coterie of respected, world-renowned environmentalists who have had a change of heart on the issue, the film, although clearly on the pro side of the debate, shines light on a paradigm shift afoot. The crux of its argument is “to be anti-nuclear is to be in favor of using fossil fuel.” In other words, despite all the strides made towards renewable energy sources, we remain mired in the climate-destroying reality of oil and coal usage for energy production and this state of affairs is not tenable from any perspective. The film astutely observes that nuclear power has been forever imprinted into the public’s psyche as a “weapon we feel badly about” and seeks to destigmatize it, remove it from its Armageddon-esque milieu, and put it in a different and less malevolent context.


Pandora’s Promise does rely a bit heavily on the “if these environmentalists and scientists had a change of heart, does that not indicate the general public should as well” persuasion tactic. The film features appearances from Stewart Brand (The Whole Earth Catalog), Richard Rhodes (The Making of the Atomic Bomb), Mark Lynas (formerly of Earth First and Six Degrees: Our Future on a Hotter Planet), and Gwyneth Cravens (Power to Save the World). It also has references to extra star power for added ammunition – Richard Branson and Microsoft’s Paul Allen have joined in – and Bill Gates has formed a nuclear power company that is working on a reactor for use in the developing world. Nonetheless, it occasionally veers into the territory of portraying the anti-nuclear movement as stodgy fear- mongers in a rather sweeping sense.

The documentary thoroughly covers the history of the use of nuclear energy, bringing in many of the original nuclear scientists to speak about its development. Charles Till explains that in the 50s, two types of nuclear reactors were being developed: the breeder reactor, which breeds plutonium and recycles it, and the light water reactor, which creates much more waste. The selection of the light water reactor to use as a commercial reactor appears to have been made very short-sightedly and, not surprisingly, not by a scientist but by a military official. Since then, technology has progressed in a significant sense with many breeder reactors built successfully and progressing to a third generation reactor which recycles all waste. More importantly, disasters like Chernobyl and Three Mile Island are now much more preventable by implementing containment chambers and adequate cooling systems. The film also brings up a lot of lesser-known examples of how political pressure and public opinion has prevented a lot of facilities from opening—for example, a nuclear waste storage facility was constructed in Nevada and never used, despite the success of other such pilot projects in New Mexico. There were other plants which were built and never went into operation; the Integral Fast Reactor program was shut down.
The main point of Pandora’s Promise is that not until recently has it become apparent how huge the gap between fossil fuels and renewables is. Electricity is the one thing that causes the most significant improvement in the quality of life. With the growing development of the “Global South,” the need for energy is only expected to rise; energy consumption of the planet is expected to double by 2050. Use of coal is, shockingly, accelerating and it has cemented its role as both the most common source of energy and the fastest growing. The environmental effects of this fact are clearly destructive. One pound uranium is the equivalent of 5000 barrels of oil in energy output. Thus, it quickly becomes apparent why nuclear energy is viewed as “clean and efficient.” The film brings up the example of France which derives nearly 80% of its energy from nuclear power, has the cheapest energy in Europe, and the lowest carbon dioxide emissions.
The film stumbles when it addresses the specter of nuclear accidents and the eerie aftermath of contamination for generations, glossing over the dangers in a rather dismissive way. It argues that in terms of the mortality rate, nuclear is the safest industry, second only to wind. The assertion about Chernobyl and Fukushima that “there were so few casualties,” may be factually true but it does not really address the afterlife of radiation and its health risks. The assertion that “only” plutonium is long-lived and that nuclear waste is volumetrically non-significant (e.g. all the fuel rods could be fitted into a football field) is meant to assuage fears yet is not explored as in-depth as it could have.
Director Robert Stone relies on many detonative revelations to make a very compelling case for nuclear energy. The presence of environmentalists advocating for it certainly gives its credibility a strong boost. The assumptions we have held to be true for so long will indeed need some processing before they can be dispatched away as “we were wrong.” A more measured response might be that global warming is a serious threat and nuclear energy certainly poses a very promising solution, but one can’t help but feel as though it is a solution *only* because of our insatiable energy thirst and its ensuing pollution. With technical advances, the risk of accidents and toxic waste leaks is also decreasing; nevertheless, it will take some time before the general public can be thoroughly at ease about it. When Stone asks Lynas if he is still pro-nuclear when he visits Fukushima, his retort back to Robert Stone, “Are *you* still pro nuclear?” is not exactly entirely fear-allaying.

Reporting

Share My Dabba: The Big Impact Of A [Small And Sticky] Message

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My Ministers of Design Blog Post

Mumbai is a city of gross disparities, a monolith of have and have nots, where the chasm between the rich and the poor is more like an uncrossable abyss than a gap, with over 8 million of its dwellers living in slums. The growing income disparity is a sweeping trend that has, sadly, become all too prevalent in an increasingly globalized world, driving a wedge between the rich and the poor, who are having a hard time accessing even the most basic of social services. As the Share My Dabba video shows, every day 1.6 million people in Mumbai have food in their dabba, while 200,000 children go starving. The Happy Life Welfare Society, an Indian NGO, decided to do something about this, having worked on previous campaigns like Spread Some Warmth and Share Your Wealth.
Advertising agency McCann came on board to help the NGO figure out the strategy and came up with the “share” sticker. Whoever wanted to share his/her lunch put a sticker on the dabba. Next, however, came the more difficult step–how to collect the food and distribute it to the children without disrupting the to-the-minute-precision of the daballawah system, a Forbes Six Sigma certified system for its accuracy and a Harvard Business School case study. Every day, 5000 Dabbawalas deliver 200,000 boxes per day using only bicycles, relying on a complex series of collection zones, sorting points, and delivery zones, supported only by a manual coding system.
So as not to disturb the intricate time balance of the system, volunteers gathered at the point where dabbawallahs assemble after having collected the tiffin boxes after lunch; there, they initially used to empty the food from the containers into plastic bags and plates and give it to the children. But a much better system was devised–The Happy Life Welfare Society went to the slums and told kids and their families about the distribution point so, now, they just come there with their own utensils and are served food directly from the dabbas. All of this has to work with clockwork precision as there can be no delay in the dabawallah system–so the whole process is completed in 15 minutes.
The lesson that The Happy Life Welfare Society also learned is the importance of actually talking to people to get one’s message across, i.e. literally the legwork. To accomplish the involved planning needed for the success of this operation, volunteers had to talk to shopkeepers, workers, and office goers to make them want to share the dabba and involve them in the process, as well as the children living in the slums and their families. It would be impossible to introduce the system into a new part of the city without that educational campaign, states Kanupriya Singh, the Vice President of The Happy Life Welfare Society. There was a PR challenge from another avenue as well–addressing the critics who took umbrage to children eating messy leftovers, so the people sharing their dabbas had to also be encouraged and educated on only sharing clean food.
Share My Dabba is an excellent example of the wonderful confluence that happens when the message aligns with the successful execution of the thought behind it. A minimalistic approach lends itself well to snappy branding and messaging, but the importance of some good ol’-fashioned talking to people is also clearly underscored in this example.